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“Bordo’s sharp reading of Boleyniana and her clear affection for this proud, unusual woman make this an entertaining, provocative read.”—Boston Globe
Part biography, part cultural history, The Creation of Anne Boleyn is a reconstruction of Boleyn’s life and an illuminating look at her very active afterlife in the popular imagination. With recent novels, movies, and television shows, Anne has been having a twenty-first-century moment, but Bordo shows how many generations of polemicists, biographers, novelists, and filmmakers have imagined and reimagined her: whore, martyr, cautionary tale, proto-“mean girl,” feminist icon, and everything in between. Drawing on scholarship and razor-sharp analysis, Bordo probes the complexities of one of history’s most intriguing women, teasing out what we actually know about Anne Boleyn and what we think we know about her.
“Riveting . . . Bordo’s eloquent study not only recovers Anne Boleyn for our times but also demonstrates the ways in which legends grow out of the faintest wisps of historical fact.” —Book Page
“Engrossing . . . Ms. Bordo offers a fascinating discussion.”—New York Times
- Sales Rank: #149606 in Books
- Published on: 2014-04-01
- Released on: 2014-04-01
- Original language: English
- Number of items: 1
- Dimensions: 8.00" h x 5.31" w x 1.25" l, .65 pounds
- Binding: Paperback
- 384 pages
From Booklist
The inspiration of an extraordinary afterlife in biography, fiction, and cinema, Henry VIII’s second consort undergoes a discerning cultural inspection. A university professor, though not a historian, Bordo daringly intrudes on the turf of such popular authors as Alison Weir, David Starkey, and Philippa Gregory, all of whom have written about Anne Boleyn. Connecting speculative passages in their works to biases in contemporary sources, Bordo depicts Anne’s allure to preface the main subject of this work, her image after death. Polemicists of the Reformation invented a satanic Anne for Catholics and a martyred Anne for Protestants. Novelists later created a character whom writers revive repeatedly—Anne as a disturber of conventional female roles. That the real Anne, whose involvement in religious politics probably precipitated her downfall, indubitably was. Bordo flourishes in this discussion, especially in her analyses of actresses (most recently, Natalie Dormer’s “smoldering, brainy Anne” in the 2007 television series The Tudors) who have played Anne on screen. Whether Anne is regarded as a temptress or a feminist precursor, her imaginative force in popular entertainment is one that Bordo perceptively illuminates. --Gilbert Taylor
Review
"Engrossing....Ms. Bordo offers a fascinating discussion. . . . a strangely tasty book."
—The New York Times
"Bordo’s sharp reading of Boleyniana and her clear affection for this proud, unusual woman make this an entertaining, provocative read."
—The Boston Globe"A fascinating and accessible study of Anne Boleyn's history and popular myth."
—Shelf Awareness"A feast of feminism and history…fascinates readers, and informs and entertains along the way."
—Roanoke Times"Delightfully cheeky, solidly researched…[Bordo] uses her good sense and academic training to shrewdly chip away at historical commentary, which has hardened speculation into supposed "facts."
—The Daily Beast"Engrossing…blending biography, cultural history and literary analysis with a creative writer’s knack for narrative and detail."
—Louisville Leo Weekly"Rivetting…Bordo’s eloquent study not only recovers Anne Boleyn for our times but also demonstrates the ways in which legends grow out of the faintest wisps of historical fact, and develop into tangled webs of fact and fiction that become known as the truth. "
—Bookpage
"Bordo’s skills are sharp as ever as she compares narratives from history and popular culture, revealing the bits of truth we know to be for certain about one of history's most elusive characters."
—Bitch Media "The perfect book for anyone interested in Anne Boleyn. Highly readable, interesting and thought provoking."
—The Anne Boleyn Files"Susan Bordo's Boleyn did the impossible - it made me excited to read about the Tudors again while reminding me to approach history and historical fiction with curiosity and a questioning mind."
—Historical Fiction Notebook"The University of Kentucky humanities chair does a superb job of separating fact from fiction in contemporary accounts of Boleyn’s life, before deftly deconstructing the myriad and contradictory portraits of her that have arisen in the centuries since her death. . . . The young queen has been the source of fascination for nearly half a millennium, and her legacy continues; this engaging portrait culminates with an intriguing exploration of Boleyn’s recent reemergence in pop culture." —Publishers Weekly "A great read for Boleyn fans and fanatics alike"
—Kirkus Reviews"Susan Bordo astutely re-examines Anne’s life and death anew and peels away the layers of untruth and myth that have accumulated since. The Creation of Anne Boleyn is a refreshing, iconoclastic and moving look at one of history’s most intriguing women. It is rare to find a book that rouses one to scholarly glee, feminist indignation and empathetic tears, but this is such a book."
—Suzannah Lipscomb, author of 1536: The Year that Changed Henry VIII "If you think you know who Anne Boleyn was, think again. In this rigorously argued yet deliciously readable book, Susan Bordo bursts through the dead weight of cultural stereotypes and historical clichés to disentangle the fictions that we have created from the fascinating, elusive woman that Henry VIII tried—unsuccessfully—to erase from historical memory. This is a book that has long been needed to set the record straight, and Bordo knocked it out of the park. Brava!"
—Robin Maxwell, national bestselling author of Secret Diary of Anne Boleyn and Mademoiselle Boleyn “By turns sassy and serious, playful and profound, Susan Bordo cuts through the layers of legend, fantasy, and untruth that history and culture have attached to Anne Boleyn, while proving that the facts about that iconic queen are every bit as intriguing as the fictions.”
— Caroline Weber, author of Queen of Fashion: What Marie Antoinette Wore to the Revolution
"In The Creation of Anne Boleyn, we watch Anne Boleyn the woman transform into Anne Boleyn the legend—a fascinating journey. Susan Bordo covers Anne's historical footprints and her afterlife in art, fiction, poetry, theater and cinema, each change reflecting the concerns of a different era. Meticulous, thoughtful, persuasive—and fun."
—Margaret George, author of The Autobiography of Henry VIII and Elizabeth I
A Review From Open Letters Monthly:
"'Why is Anne Boleyn so fascinating?' Susan Bordo asks at the beginning of her richly engrossing new book The Creation of Anne Boleyn. 'Maybe we don’t have to go any further than the obvious. The story of her rise and fall is as elementally satisfying – and scriptwise, not very different from – a Lifetime movie: a long-suffering, postmenopausal wife; an unfaithful husband and a clandestine affair with a younger, sexier woman; a moment of glory for the mistress; then lust turned into loathing, plotting, and murder as the cycle comes full circle.' The invocation of the syrupy American cable network Lifetime is both a neat stroke and a warning flag – readers traumatized by flippant pseudo-history grow hyper-sensitive to such showbiz namedropping, and Bordo’s credentials as a feminist scholar can, in such circumstances, increase the fear of grating anachronisms (the past was a different country, a wise man once said, hardly needing to add, "They called ‘apples’ ‘oranges’ there"). Nightmare visions of 'Anne the Party Grrrl' loom, hardly alleviated by Bordo’s puckish choice of section titles ('In Love (Or Something Like It),' 'A Perfect Storm,' etc.).
But such worries are dispelled early on in The Creation of Anne Boleyn and never return. Bordo spends the first part of her book, 'Queen, Interrupted,' recounting much of what we know about the actual history of Anne’s rise, reign, and ruin. It’s nimbly done, managing the small miracle of not feeling redundant despite the staggering number of times the story has been told before. But it’s the book’s second part, 'Recipes for 'Anne Boleyn',' and its third part, 'An Anne For All Seasons,' that gaily raise this book to the status of something quite memorable; it’s in these parts that Bordo gets at the real heart of her subject – not Anne Boleyn, but rather the infinite variety of cultural reconstructions of Anne.
Her enthusiasm is infectious, and her range is impressive, covering a dozen major novels – from Francis Hackett’s 1939 novel Queen Anne Boleyn to Margaret Campbell Barnes’ Brief Gaudy Hour (1949), Norah Lofts’ The Concubine (1963), and more modern bestsellers like Phlippa Gregory’s The Other Boleyn Girl and Hilary Mantel’s Wolf Hall and Bring Up the Bodies (partisans may wish she’d spared a mention for Suzannah Dunn’s sly and extremely impressive 2005 novel The Queen of Subtleties) – and all the major film and stage interpretations of Anne’s tempestuous relationship with Henry VIII, including the Charles Laughton camp-fest The Private Life of Henry VIII, the BBC mini-series The Six Wives of Henry VIII, the great 1969 movie Anne of the Thousand Days, and of course Showtime’s vamping, moronic The Tudors. It’s a shrewd strategy: now that Bordo has supplied her readers with the history, she can thrill and provoke them by citing the countless ways all these adaptations get the history wrong:
Anne of the Thousand Days, in addition to numerous other alterations of history, has that invented – yet somehow perfect – scene in the Tower between Anne and Henry. The Private Life of Henry VIII turns Anne of Cleves into a wisecracking cardsharp who is physically disgusted by Henry rather than (as history tells it) the other way around. A Man for All Seasons neglects to mention that Thomas More, besides being a witty intellectual, also burned quite a few heretics and was apparently not quite the devoted husband he appeared to be. The BBC production of The Six Wives of Henry VIII barely notes that there was a conflict of authority between Henry and the Church, beyond the issue of the divorce; its actually much more the wife-centered, 'feminized' history that [David] Starkey berates than [Showtime's] The Tudors, which spends a lot of time on the more 'masculine' (and for Starkey, historically central) end of things: diplomatic skirmishes, wars, and court politics.
Half the fun of these segments of the book will be arguing with them. For instance, the claim that there’s no dramatization of the conflict between king and Church in The Six Wives of Henry VIII is starkly wrong – indeed, it’s in the Jane Seymour episode of the series that its star Keith Michell gives one of his most passionate performances, on precisely the subject of Henry’s struggles with Rome. Likewise the sustained, extremely intelligent attention Bordo lavishes on The Tudors, and especially petite, slope-mouthed Natalie Dormer, whose Anne Boleyn is about as sexually alluring as a distracted basset hound: the reader might fundamentally disagree with the elevation of such an unworthy subject (so to speak), but the discussion itself is too interesting to forego (when Bordo interviews Genevieve Bujold, who shot to fame in Anne of the Thousand Days, the actress simply says 'Anne is mine').
Bordo charts the changes in Anne’s portrayal over the years, drawing up handy lists of historical errors, sparing nobody, not even Mantel, whose books come in for some sustained nit-picking (although nothing on the order of the full-dress deconstruction Gregory gets)(and yet it’s all done with such wonderful candor that it wouldn’t be surprising to learn the novelists themselves enjoyed the critiques). The focus of the book in these parts shimmers all over the fictional landscape, always with an acute eye:
The Tudors has replaced Charles Laughton’s blustering, chicken-chomping buffoon with Jonathan Rhys Meyer’s lean, athletic bad boy. Wolf Hall exposes Thomas More as coldly, viciously pious and turns the ruthless, calculating Cromwell we know from depictions of his role in Anne Boleyn’s death into a true “man for all seasons”: warm, loyal, and opportunistic only because his survival requires it.
The Creation of Anne Boleyn creates in its readers the deep hunger for more of the same; it’ll be a cold-hearted reader indeed who doesn’t finish the book wishing Bordo would have expanded it into a big fat study of the history and fiction of all the wives – or better yet, of Anne’s own daughter, Queen Elizabeth I. But our author is something of an intellectual dynamo, and unlike poor Anne, she’s got plenty of options."
From the Inside Flap
Part biography, part cultural history, The Creation of Anne Boleyn is a fascinating reconstruction of Anne’s life and an illuminating look at her afterlife in the popular imagination. Why is Anne so compelling? Why has she inspired such extreme reactions? What did she really look like? Was she the flaxen-haired martyr of Romantic paintings or the raven-haired seductress of twenty-first-century portrayals? (Answer: neither.) And perhaps the most provocative questions concern Anne’s death more than her life. How could Henry order the execution of a once beloved wife? Drawing on scholarship and critical analysis, Bordo probes the complexities of one of history’s most infamous relationships.
Bordo also shows how generations of polemicists, biographers, novelists, and filmmakers imagined and re-imagined Anne: whore, martyr, cautionary tale, proto “mean girl,” feminist icon, and everything in between. In this lively book, Bordo steps off the well-trodden paths of Tudoriana to expertly tease out the human being behind the competing mythologies.
Most helpful customer reviews
72 of 76 people found the following review helpful.
Creation of a Myth Not a Detailed Biography
By Sara Thornton
A common criticism of this book is that it's a thin biography of Anne Boleyn (often with the outrage that it trashes -rightly - Gregory's novel The Other Boleyn Girl) and provides no new bombshell tidbits. However, the title indicates it is no biography. It is specifically the creation, not the biography, of Anne Boleyn. One of the few disagreements I have with this meticulously researched, footnoted, and written book is its subtitle: A New Look At England's Most Notorious Queen. Personally, the first queen I think of when reading that is Isabelle of France (the She-Wolf of France), wife of Edward II. Now SHE was notorious- taking a lover, deposing her incompetent husband and then likely aiding in his murder - and then being deposed by her son in turn. Back to the book. Professor Bordo examines very carefully not just a myth, but all of the myths of Anne. The Catholic-hating six-fingered she-devil, the Protestant martyr, the swooning Victorian innocent, the fiery proto-feminist. She examines why each formed and the culture that formed it. She also lays out just how much "real" information comes straight from her enemies and asks the oldest of legal questions: Cui bono? Who benefits, who gains and what is gained by perpetuating that particular tale? The pro-Catholics looking to heal the great English schism? The Elizabethan Protestants shoring up their new religion? Victorian moralists seeking to improve young ladies' virtue?
The book is carefully written, precisely worded, and documented clearly. By examining the modern media versions of Anne, Professor Bordo also looks at how each approached the historical facts and how each "Anne" actress viewed her. The interviews are intriguing- how did this particular person feel or approach or tackle the material she was given?
If you want a biography, try Ives. If you want a look at how culture forms history, read this book. It is one of a few I just can't put down and will re-read for the pleasure of the quality of writing. Gregory is a Big Mac with fries - guilty pleasure. Bordo is a filet mignon feast with table-made Caesar salad, dessert, and a glass of fine wine.
Full disclosure: I really, really tried to read The Other Boleyn Girl. Really I did. I got less than 20 pages in and wanted to biotch-slap Gregory with her own turgid bodice ripper. I never had that urge with Prof. Bordo.
114 of 130 people found the following review helpful.
Author should take her own advice
By Lesley A. Williams
I wanted to like this more than I did. Bordo is splendid in her critique of the "received" history of Anne Boleyn, pointing out the pernicious tendency of even objective historians to color the tale with their own prejudices. It was fascinating to trace the historical evolution of Anne's image, from scheming sex crazed heretic, to soulful Reformation martyr, to Victorian victim, to power feminist. Bordo's interviews with two of the most influential Anne interpreters: Genevieve Bujold and Natalie Dormer, illuminate the interplay of sexism, commerce, and wish fulfillment in each generation's re-imagining of Anne's character.
So far, so good. However, when Bordo attempts to psychoanalyze the 400 years dead Henry, (Did a childhood dominated by strong female figures, but with unrealistic expectations of autocratic masculinity result in borderline personality disorder? Discuss....) she wanders into shakier territory. When she attempts to conflate her own, very 20th century sexual misfires and 60s radical follies with the enormity of Tudor sexual politics, she sinks into glurge of Oprah-esque proportions. Ultimately, Bordo is guilty of the same misprision as the writers she critiques, namely reinterpreting a complex, multidimensional tragedy in light of her own limited experience.
79 of 92 people found the following review helpful.
Leaving no stone unturned
By Flight Risk (The Gypsy Moth)
"The Creation Of Anne Boleyn" must surely stand as Susan Bordo's crowning achievement. It is clear from the minute dissection of Anne's life, both pre-Henry and with-Henry, that the scholarship involved is intensive; it seems that very few written accounts, factual and fictional, were not closely studied over the course of her writing of this book, which began as a joint effort going in a totally different direction and culminated with Ms Bordo's obsession with all things Anne.
This is part history and part commentary on cultural mores and attitudes, about any number of topics that touched Anne's life, and usually a history, by its very nature, becomes at least a little dry; but Ms Bordo succeeds in making this account come to life with her inclusion of all the different takes on Anne over the past 400 years. She spends a lot of time on "The Tudors", the soap-operish (but very watchable) Showtime telling of the story, and she addresses all the small issues everyone has had about it; she covers (with more reverence) "Anne Of The Thousand Days", a 1969 movie about Anne and Henry with Anne played, to great effect, by Genevieve Bujold, a French-Canadian actress not well known until then (although I saw her in a stage production put to film of "Antigone" and am convinced that she can make any character her own), with Richard Burton as Henry (Elizabeth Taylor, perish the thought, wanted to play Anne; I can't imagine what a disaster that would have made of the movie, with all due respect to Ms Taylor). Ms Bordo covers the beliefs of the day, towards Anne and also towards her headstrong and independent style of life; she also takes on the possible reasons why Henry acted as he did. While pointedly in favor of Anne, Ms Bordo does not flinch from presenting all the foibles and mistakes Anne made in her path to the crown - and in her disastrous fall from grace. She makes us see a whole Anne, the sum of all her parts; and while steering the reader away from deciding that Anne was, in reality, a shrew who brought it all on herself, she does point out the elements that made the kingdom see her that way. A lot of the blame is laid at the feet of both Chapuys, the Spanish ambassador, and both Thomas More and Thomas Cromwell, who were all in it for their own ends anyway, and in the old-boy world of 16th-century politics, the men were going to listen to the men anyway and not a puny woman. The perennial push-pull between male and female ways of thinking is brought out as well, and inspected from every angle.
Ms Bordo's intensive examination of this sad story is not without its digs (she puts a few novel accounts of Anne's
life on the rack, including "The Other Boleyn Girl", which she especially seems to have issues with - with good reason; the book contains many inaccuracies presented as fact; "Wolf Hall", which she actually liked; and several film productions that caricatured its characters)but in fairness she finds what she can to praise about them. Clearly, however, there is little about Anne that can be found out that she hasn't; I wouldn't be surprised for her to recognize the woman on the street if she suddenly stepped out from a time machine. It's also worth noting that Natalie Dormer, who played Anne in "The Tudors", made a special study of Anne as well, and her empathy with Anne shows in her performance. This is backed up by Ms Bordo, who had the privilege of interviewing Ms Dormer at some depth.
Overall this is a history/cultural examination that I found eminently readable, and even made me giggle a couple of times at Ms Bordo's dry wit in some places. I would highly recommend it to anyone interested in Anne as a person and in the Tudor court itself.
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