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“Steve Earle brings to his prose the same authenticity, poetic spirit, and cinematic energy he projects in his music. I’ll Never Get Out of This World Alive is like a dream you can’t shake, offering beauty and remorse, redemption in spades.” —Patti Smith
“Shot through with humor and insight and . . . enough action and intriguing characters in it to keep readers turning pages.” —Boston Globe
Doc Ebersole lives with the ghost of Hank Williams. Literally.
In 1963, ten years after he may have given Hank the morphine shot that killed him, Doc has lost his license. Living in the red-light district of San Antonio, he performs abortions and patches up the odd knife wound to feed his addiction. But when Graciela, a young Mexican immigrant, appears in the neighborhood in search of Doc’s services, miraculous things begin to happen. Everyone she meets is transformed for the better, except, maybe, for Hank’s angry ghost—who isn’t at all pleased to see Doc doing well.
- Sales Rank: #215652 in Books
- Published on: 2012-05-22
- Released on: 2012-05-22
- Original language: English
- Number of items: 1
- Dimensions: 8.00" h x .64" w x 5.34" l, .50 pounds
- Binding: Paperback
- 256 pages
Amazon.com Review
Amazon Best Books of the Month, May 2011: Steve Earle's heartbreaking debut novel features a morphine addict who performs illegal abortions, a young Mexican girl with mysterious healing powers, the ghost of Hank Williams, and a host of other more or less charismatic misfits. Set in San Antonio around the time of JFK’s assassination, and told with an equal mix of sympathy and violent detail, the story maintains a delicate balance of many such would-be opposing forces: Catholicism and "hoodoo," addiction and redemption, brutal reality and magical realism. A first novel this compelling from any author would be cause for celebration, but Earle is also a musician (the GRAMMY®-winning albums Washington Square Serenade and Townes), actor (The Wire), and activist, and in this context the book is even more of a watershed accomplishment. I'll Never Get Out of This World Alive is decidedly not for the faint of art, but adventuresome fiction readers will find much to love in its shocking, tender depths. --Jason Kirk
Review
"A deft, big-spirited novel about sin, faith, redemption, and the family of man ... You keep reading and you keep believing."
—Entertainment Weekly
“Steve Earle brings to his prose the same authenticity, poetic spirit, and cinematic energy he projects in his music. I’ll Never Get Out of This World Alive is like a dream you can’t shake, offering beauty and remorse, redemption in spades.”
—Patti Smith
“Shot through with humor and insight and ... enough action and intriguing characters in it to keep readers turning pages.”
—Boston Globe
“Earle’s writing never lacks heart.”
—New York Times Book Review
“As he does in his songs, Earle finds the tenuous points of emotional connection between characters who are living not only on the edges of their own ability to cope, but often on the very margins of society itself.”
—Rolling Stone
"This subtle and dramatic book is the work of a brilliant songwriter who has moved from song to orchestral ballad with astonishing ease."
—Michael Ondaatje
"Earle has delivered plenty of potent messages during his turbulent career, but he has never pricked the public’s conscience in as many different ways ... The renegade troubadour-turned-renaissance man ... challenge[s] audiences to think about mortality, redemption, addiction, artistic commitment and other soul-searing questions."
—USA Today
"Raw, honest and unafraid, this novel veers in and out of the lives of its many memorable characters with flawless pitch. Steve Earle has given us dozens of remarkable songs, he has given us a dazzling collection of short stories, and now here’s his first novel, a doozy from a great American storyteller."
—Tom Franklin
"Earle is pointing out that in fiction reality can merge with myth in the service of a larger truth . . . [I’ll Never Get out of This World Alive] aspires to a certain gritty transcendence . . . [and] comes with a mythic underpinning, a touch of the mysteries."
—Los Angeles Times
"Iconic country-rocker Earle’s imaginative first novel follows the troubled life of Doc Ebersole, who may have supplied the shot of morphine that killed country legend Hank Williams . . . Earle draws on the rough-and-tumble tenderness in his music to create a witty, heartfelt story of hope, forgiveness, and redemption."
—Booklist
"This is an impressive debut novel. The characters are unforgettable, and the plot moves like a fast train. A fantastic mixture of hard reality and dark imagination."
—Thomas Cobb
"Earle has created a potent blend of realism and mysticism in this compelling, morally complex story of troubled souls striving for a last chance at redemption. Musician, actor, and now novelist—is there another artist in America with such wide-ranging talent?"
—Ron Rash
"In this spruce debut novel . . . hard-core troubadour Earle ponders miracles, morphine, and mortality . . .With its Charles Portis vibe and the author’s immense cred as a musician and actor, this should have no problem finding the wide audience it deserves."
—Publishers Weekly
"This richly imagined novel not only takes its title from a Hank Williams classic, it audaciously employs Hank’s ghost as a combination of morphine demon and guardian angel . . . Already well-respected for both his music and his acting, Earle can now add novelist to an impressive résumé."
—Kirkus, starred review
"What a delight to read this novel and find so many elements I’ve admired in Steve Earle’s songwriting for nearly twenty-five years. It is a rich, raw mix of American myth and hard social reality, of faith and doubt, always firmly rooted in a strong sense of character."
—Charles Frazier
"Steve Earle writes like a shimmering neon angel."
—Kinky Friedman
"Earle’s first novel provides a haunting and haunted bookend to Irving’s Cider House Rules. The ghost of Hank Williams walks through this abortionist’s tale that has much to do with grace and aging and death—and the power of the feminine. Gritty and transcendent, Earle has successfully created his own potion of Texas, twang, and dope-tinged magic-realism."
—Alice Randall
"Everyone knows that Steve Earle ranks among the very best, and most authentic, songwriters in the history of America. With his first novel, Earle has established himself as one of our most knowledgeable and sympathetic writers period. He is a natural-born storyteller. If Jesus were to return tomorrow to 21st-century America, and do some street preaching on the gritty South Presa Strip of San Antonio, he’d love Earle’s magnificently human, big-hearted drifters. Only the man who wrote "Copperhead Road" could have authored I’ll Never Get Out of This World Alive."
—Howard Frank Mosher
"A poignant story of madness and redemption woven into a tapestry of real world desperation and old world magic. It’s colorful, cool, and downright gripping."
—Robert Earl Keen
"The best book I’ve read since The Road. With the lure of Hank Williams’ ghost, a touch of the Kennedy assassination, a little Castaneda and a few miracles, he takes on the underworld and organized religion, and reality as it’s generally supposed, with great certainty and research and style."
—R. B. Morris
"Steve Earle astonishes us yet again. Country Rock’s outlaw legend brings the ghost of Hank Williams to life in a gloriously gritty first novel that soars like a song. And echoes in the heart."
—Terry Bisson
"I’ll Never Get out of This World Alive reads like the best of Steve Earle’s story songs, which means real good. The tale of a more charmingly haunted, trying-to-do-the-right-thing dope fiend you won’t easily find."
—Mark Jacobson
"Outsider artists like Steve Earle bring a breath of fresh air to the literary world. I just wish they’d come around more often. Richly imagined and handily crafted—a mighty fine piece of storytelling."
—Madison Smartt Bell
"Perhaps only another great country singer would have the courage to cast [country singer Hank] Williams in the guise of a malignant hillbilly harpy, whose presence inevitably heralds imminent doom . . . And though the novel comes no closer to establishing the facts of Hank Williams’s death, it certainly reveals a good deal of the truth behind it."
—Guardian (UK)
From the Inside Flap
"If Jesus were to return tomorrow to twenty-first century America and do some street preaching on the gritty South Presa Strip of San Antonio, he'd love Earle's magnificently human, bighearted drifters." --Howard Frank Mosher "Colorful, cool, and downright gripping." --Robert Earl Keen Doc Ebersole lives with the ghost of Hank Williams--not just in the figurative sense, not just because he was one of the last people to see him alive, and not just because he is rumored to have given Hank the final morphine dose that killed him. In 1963, ten years after Hank's death, Doc himself is racked by addiction. Since he lost his license to practice medicine, his morphine habit isn't as easy to support. So he lives in a rented room in the red-light district on the south side of San Antonio, performing abortions and patching up the odd knife or gunshot wound. But when Graciela, a young Mexican immigrant, comes in search of Doc's services, miraculous things begin to happen. Graciela bears a wound on her wrist that never heals, yet she heals others with the touch of her hand. Everyone she meets is transformed for the better, except maybe for Hank's angry ghost--who isn't at all pleased to see Doc doing well. A brilliant exploration of an obscure piece of music history, "I'll Never Get Out of This World Alive "is also a wonderful novel in its own right, a ballad of regret and redemption, and of the ways in which we remake ourselves and our world through the smallest of miracles.
Most helpful customer reviews
61 of 64 people found the following review helpful.
Steve Earle's first novel: a mixture of good, evil, addiction, morality, and religion
By Ryan Winkleman
Steve Earle's first novel (his first book was the collection of short stories Doghouse Roses: Stories) is a well-written story that is unmistakably a Steve Earle product. Framed in the weeks before and the months after JFK's assassination (and in reality written in a time when Earle was struggling to come to terms with his father's death and needed an outlet, of which the album I'll Never Get Out of This World Alive is also a product), "I'll Never Get Out of This World Alive" tells the fictional story of Doc Ebersole, a fallen-from-grace MD who now practices medicine (mostly abortions) out of a boarding house in the South Presa Strip of San Antonio and struggles with a twice-daily morphine habit. As Doc was allegedly the last to see Hank Williams alive ten years earlier, Hank's ghost has the curious and often unhealthy (for Doc) habit of haunting Doc, mainly when he's high but also just when Hank is lonely, continuously pushing Doc to keep pushing the drug into his veins. One day, however, a young Mexican girl named Graciela is brought to Doc in need of an abortion. The two grow fond of each other during and after her recovery and it soon becomes apparent that all is not what it seems with Graciela as strange miracles begin happening on the South Presa Strip, attracting the attention not only of the local lost souls, but also of the local priest Father Killen. The end result is an explosive climax befitting all the characters involved, from Father Killen to Doc's dealer and somewhat friend Manny to Doc himself and to Graciela. Even to Hank.
The novel itself is an easy read. At around 250 pages, it is not too long, and the language is written in Earle's typical "everyman" diction that he uses in his lyrics and now in his books. The characters are fairly well-written, some better than others (Father Killen seems a little unbelievable at times, even with the efforts to give him a background), but the real meat of the writing is Doc's addiction, the realism of which is fueled by the knowledge that Earle had his own much-publicized demons in his younger days. It is hard to read the (sometimes unsettling) descriptions of Doc's drug trips and not feel that Earle has somehow put some of his own experience into the writing. Earle's fictionalized descriptions of Hank Williams' ghost also weave well into the story, as Doc struggles to balance his obligations to those around him with the ghost that haunts him. The story itself seems familiar and like one that we've all heard before, as a sort of twist on the good vs. evil motif. At times it feels a little predictable, but Earle tries to stay one step ahead of the reader to keep you guessing, his skills as a songwriter aiding in his ability to tell a good story. Deftly walking a line between matters of good and evil, addiction, morality, and religion, Steve Earle's "I'll Never Get Out of This World Alive" comes recommended not only to his fans, but also to those who love a good story.
44 of 52 people found the following review helpful.
Pain and redemption
By C. D. Cronenberg
I've been a long term fan of Steve Earle from the cheesy steinberger-esque riff of Guitar Town to the point after my military service that my politics and his aligned. I see him every time he goes on tour through Texas and digest everything he creates. That said, I was concerned that his attempt at a novel may been too far reaching. How wrong I was, this mournful tale of pain could only be written by him. Only someone with his history and past could convey this story. I can't wait for this to be made into a movie. I can see it straight, or as a Bubba HotepBubba Ho-Tep (Hail to the King Edition)style film. This is not a star attempting something different; this is a great book by a great author.
17 of 22 people found the following review helpful.
Enjoyable to a point, but lacking depth and complexity
By Pasiphae
As a great fan of Mr. Earle's music, I opened this book primed to like it. And he has a storyteller's skill that propels along the story of a washed-up doctor junkie, his supplier, a young girl, a bad priest and the ghost of Hank Williams. It is a tall tale, a fafetched yarn set in a slum of addiction that winds along to an inevitable and predictable end. But it has some problems.
One problem is the simplicity of the characters. These are shorthand people, the skimpy details of their lives hastily offered. More time is spent describing their domino games than their histories. The Southern white doctor is named "Doc," and only the history of his addiction is really offered to the reader. Manny is the Mexican dealer, who is (surprise!) a devoted son and Catholic, even though he sells heroin. Of course the priest is Irish, and a boxer. Of course the Mexican girl is magical and beautiful and small, a little Virgin of Guadalupe come to life. Some goodhearted lesbians and a tranny hooker (strangely reminiscent of Lafayette on "True Blood") don't keep the cast from being entirely composed of stock characters.
The magical realism aspects of the story are another problem. The ghost of Hank Williams is whip-thin and mean-mouthed, and he yammers on at great length to little point. Doc's visits with him don't enlarge the reader's understanding of Doc, Hank, addiction or whatever magical realism rules are at play in this story. And, instead of a Magical Black Person who only exists to help white people, we have a Magical Mexican Person who does that in this novel. Graciela apparently only exists to help and heal hurting people, having no life or dreams or needs of her own. She is selfless to a degree that makes her one-dimensional, and therefore not that interesting (though her preparations for magic are, indeed, the only mildly engrossing part of the book). The magic seems implausible and beside the point, and though it tries hard to be the big story, it isn't.
Addiction is the true story here; the long and pointless days of a man eking out his hours until his next fix. And I grew tired of reading about a man boiled down to the essence of his addiction. The story attempts to be redemptive, but Doc never became anything more to me than what he was hooked on, and what he was trying not to be hooked on. That's just not enough.
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