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Upstairs, downstairs, and in which lady’s chamber?
On the brink of World War II, two girls are sent to the grand English country estate of Starkers. Hannah, the half-Jewish daughter of a disgraced distant relative, has been living an artistic bohemian life in a cabaret in pre-war Germany and now is supposed to be welcomed into the family. Anna, the social-climbing daughter of working-class British fascists, is supposed to be hired as a maid so that she can spy for the Nazis. But there’s a mix-up, and nice Hannah is sent to the kitchen as a maid while arrogant Anna is welcomed as a relative.
And then both girls fall for the same man, the handsome heir of the estate . . . or do they?
In this sparkling, saucy romance, nearly everything goes wrong for two girls who are sent to a grand English estate on the brink of World War II—until it goes so very, very right!
- Sales Rank: #2487550 in Books
- Brand: HMH Books for Young Readers
- Published on: 2014-06-03
- Released on: 2014-06-03
- Original language: English
- Number of items: 1
- Dimensions: 8.25" h x 1.14" w x 5.50" l, 1.00 pounds
- Binding: Hardcover
- 320 pages
- Great product!
From School Library Journal
Gr 8 Up—It's 1938 in rural England, and Anna Morgan is desperate to find a way out of her life as the working-class daughter of a grocer. When she's given an opportunity to live at a grand country estate called Starkers, she believes that her chance has finally come to marry well and fulfill her destiny of becoming a lady, despite the fact that she's supposed to be there working as a kitchen maid in order to spy for a group of Nazi sympathizers. In Berlin, Hannah Morganstern is happy with her life as a singer in her father's cabaret, and confident that she'll soon find a place as an opera singer in Vienna. Her dreams are dashed, however, when the German government begins shutting down Jewish businesses and threatening to send Jews to prison camps. Hannah is half-Jewish, and her parents believe the best way to keep her safe is to send her to live with distant relatives, who she has never met, at a grand estate in England. When the two girls arrive at Starkers on the same afternoon, one is welcomed as a member of the family and a companion to the lady of the house, while the other is sent to work in the kitchen. What follows is a delightful comedy of errors, full of near misses, misunderstandings, and double entendres. While the plot drags at time and lacks some necessary historical context, this is a light and fun romance that should appeal to fans of Downton Abbey.—Liz Overberg, Darlington School, Rome, GA
From Booklist
Two young women leave Germany for England in 1938. Aryan Anna has a kitchen maid’s job waiting at Starkers, a gracious country estate, but she is really there to be a plant for Nazi sympathizers. Half-Jewish Hannah, raised in her father’s cabaret, is going to Starkers as well. She is a distant relative of Lord Liripip, and his third wife has grudgingly agreed to take Hannah in as things become more perilous abroad. But their same-day arrival leads to an identity mix-up when the lord’s son, Teddy, assumes the more regal Anna is “upstairs,” and vivacious Hannah, “downstairs.” Just as Shakespeare did in his comedies, Sullivan is able to string out this confusion in a sprightly (albeit sometimes stereotypical) manner, even as serious undertones abound. She also throws a nod to P. G. Wodehouse in her depiction of the upper classes, whose ability to cope with change is always underwhelming. Hannah is a breath of fresh air both for her hosts and for readers, who will enjoy rooting for her. Grades 10-12. --Ilene Cooper
Review
"Intrigue, romance, and humor combine to produce a thoroughly delightful read."
—VOYA
"Hannah is a breath of fresh air both for her hosts and for readers, who will enjoy rooting for her."
—Booklist
"Sullivan's wry and evocative omniscient voice makes Hannah and Anna's escapades a pleasure to read."
—Publisher's Weekly
"Sullivan delights in leading readers through a jaunty muddle of romantic misfortunes."
—Kirkus
"A light and fun romance that should appeal to fans of Downton Abbey."
—School Library Journal
Most helpful customer reviews
2 of 2 people found the following review helpful.
Odd mish-mash of lightheartedness and dark circumstances
By Eohany
Love by the Morning Star is a sort of Princess and the Pauper story, although neither girl is a princess nor a pauper. Anna is an English girl and daughter of a foreigner-hating grocer. Hannah is German and is the half Jewish daughter of a cabaret owner in Berlin. When life becomes dangerous in Berlin, Hannah's parents send her to live in England for her safety. At the same time, Anna's father has arranged for her to be placed in the same household as a maid/spy. Each girl is mistaken for the other and, for their own reasons, swap roles. What follows is a rather painful comedy of errors as each girl falls in love with a young man, who doesn't necessarily realize which young lady he's courting. Of course, in the end, all's well that ends well so everything turns out right.
The book is fairly worldly when it comes to sex and male/female relations. It's not written badly, but just seems unnecessary in a romance aimed at this particular age group. Also, some of the main characters just aren't very likeable. Anna is a bit of a nit-wit and Teddy is, quite frankly, not good enough for Hannah. The bit about Teddy's mother at the very end of the book also seemed particularly unnecessary to me. Granted, the woman was not a pleasant or sympathetic character, but still. Overall, this was a pleasant enough book to read once, but I don't see myself going out of my way to read it again.
2 of 2 people found the following review helpful.
Not My Favorite
By Irish
I had a hard time getting into this book. The writing is choppy and the story didn't flow well for me. The premise seems great and the cover and title are indeed eye catching. It would seem that this should be a good book, but somehow the author doesn't deliver as expected and the result is less than first rate.
If this is targeted to 7th or 8th graders, it's not a good target base and a higher age is recommended but then I am not certain this make a great teen novel either. This is written in an old fashioned way which makes it hard to follow-sometimes this is a good thing but it's a basic try in this regard and doesn't come off as overly clever. I found myself rereading passages that didn't hold much interest for me in the first place.
The serious nature of Nazi Germany and the situations of the book don't tie in well together in this comedy of errors. This story is a hodge podge of been there/done that in a somewhat, inferior manner. The situations of the book could be also risque for the average eleven or twelve year old, unless they've been around the block a few times.
I am a bit disappointed in this book as the description sounded like it would be quite an entertaining read.
4 of 5 people found the following review helpful.
Quite awful. Not suitable for young readers despite "grades 7 and up" listing. Serious editing issues.
By Miss Darcy
First, I don't understand why this is listed in the imprint "Books for Young Readers." The main characters aren't particularly young, and there are plenty of sexual references, such as "he'd paid court to many nubile performers over the last seventeen years," something about lecherous old men and girls in pinafores, etc. I'm not saying books for this age group can't contain sexual references in context, but there just seems to be a spotlight on it here.
As well, I think the vocabulary and general references are too advanced for 7th graders: ". . . her mother's older sister had been married to a little man called Peregrine for a few months before she and her baby died . . . (A few months only? Hannah suddenly wondered, counting to nine and discovering possible scandal.)" My daughter is in 6th grade, and this would go right over her head. I don't think one more year will make that much difference.
From an editorial point of view (and we want young readers to experience good writing, right?) this book has very serious issues with jumps in point of view (POV). I actually edit fiction, and writers should stick with one character's POV (what that character can hear, think, etc.) for an entire scene (or chapter) before making a switch. Otherwise, it's called "head hopping." If you think about a Harry Potter book, for instance, when Harry is waiting for his turn in the tri-wizards' tournament, the narration is limited to what he can hear and see as he waits. Readers don't get to know what's going on in the arena, or what the competitors are thinking. In contrast, this book hops all over the place. At the bottom of p. 18, we see Hannah's POV:"Hannah saw the tremor of terror cross her father's face." On the next page, without a scene change, we see her father's POV: "He'd been safe so far. Surely his luck would last." The next page gives Cora's POV:"this was the only way she knew . . ." Most publishing companies won't accept a book with POV errors; at the least, an editor should have fixed them.
The story line itself is ridiculous. Is it supposed to be black humor? Or is the writing just that awful? I couldn't really tell. The subject matter is so serious, and yet the characters and their antics are so cocky in comparison. Several of the reviewers here have described this as "light." Yes, there were some successful TV comedies set during the war, but in general, a book with this background just doesn't feel light.
And how about this as you lead to the ending: "'If you don't, I'll cut off your pretty face bit by bit, and then afterward I'll . . . ' He whispered something in her ear, something so inhumanly filthy that if she'd had the means she would have killed herself right then, just to escape the merest possibility of it ever coming to pass." Perfect for the middle school classroom, right?
Don't be fooled by the charming cover or the Books for Young Readers imprint. Walk on by.
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